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  • Sandy Welch
  • Phil Parkes
  • Catherine M.
  • Joanne Vallee Brunelle
  • Celia Zanger
  • Theresa Zwart-Ludeman
  • Jan Blencowe
  • Graham Scott
  • Lisa Mikulski

How to be a Guest Author

  • Would you like to be a Guest Author for the Art Guide Blog? It's simple and easy and you can be posting to this blog in minutes. Send an email to webmaster{at}theartguide.com and request an invitation to be added to our list of authors. When we receive your request, an invitaiton will come from us. Follow the instructions in the invitation to create your Art Guide blog account (it's free) and be posting your art news in minutes. If being a guest author isn't for you, please feel free to add your comments to any of the posts here. We look forward to a long and continuing discussion with artists, galleries and art lovers.

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September 30, 2007

The Art Guide Redesigns and Updates Website

Ag_scI'm happy to announce that The Art Guide Online has an all new look.  A redesigned and feature-enhanced site is now available to you to find exception art events and exhibitions in Connecticut, New York, Massachusetts and Rhode Island.

See our new Featured Artist and Gallery feature which spotlights the best arts in the area.  This month we are highlighting the beautiful White Space Gallery in New Haven Connecticut and the art work of Rex Walden.

Additionally we have redesigned our blog and look forward to providing you with timely posts and news from The Art Guide, our artists, galleries, art events and opportunities.

Please visit The Art Guide website.  For advertising opportunites on the main site or on this blog, please contact The Webmaster

June 28, 2007

Do You Know This Art Collector?

She lives in a shoreline town, is married to a successful attorney and has two daughters who recently graduated from college. Her lifelong ambition is now within reach; to create a collection of original artwork for her home. She would like to purchase pieces up to the $5,000 range.

How is she conducting her search? You might have guessed already, but our collector is using The Art Guide Annual Directory to locate area galleries and artists, and the monthly Art Guide to schedule visits to openings and receptions. She started with several national art magazines, but quickly discovered that few of the advertisers were located within driving distance. She will not buy on the internet.

Our collector is a real person and a listing in the Art Guide for $40/month may bring her to your door. A gallery spending 10 times that amount in a national publication will not reach her. You may ask "Can I afford to be in the Art Guide?". With collectors like this in our readership, we ask: "Can you afford not to be?"
Please visit our website The Art Guide for more information or contact us directly at 800-524-9055 to see how the Art Guide can work for you, whether gallery or artist.

May 24, 2007

Call for Artists :: Art On Groton Bank

Artisthands_working_xsmallThe Bill Memorial Library and the City of Groton are sponsoring Art on Groton Bank, a continuing festival of fine arts on the grounds of the library on June 16, July 21, August 18, and September 15 from 10 A.M. to 3 P.M.

We are thinking Paris, of the stalls along the Seine, the artists’ work lined against the walls on the Left Bank. We are bringing the sense of that greatest of art cities to Groton Bank.

Time is getting close. The committee has walked the grounds of the enchanting Bill Memorial Library to lay out the sites along the fences, and in the middle of the Great Lawn.

Artists are invited to set up at 7 a.m. and exhibit until 3 p.m. A $20.00 fee will cover the cost of a site of approximately 100 square feet per event.

If artists would like to paint the beautiful vistas on and around the library grounds during the show, it would be a wonderful diversion for visitors, who love to watch artists create. Often, the visitor will say “Combien?” and a sale is made. Painters are not required to paint, but it is a great opportunity. And fun!

SIGN UP TODAY!

May 10, 2007

Copyright Law for Artists and Designers

Copyright law is an important but often neglected element of an artist's business. To attempt to sort it all out, a post entitled "Copyright law :: Protected or Not" has been posted at ArtLOOK. It examines some of the elements of how artists can better protect themselves and their work, and while I don't claim to be an attorney, I believe the article is thought provoking and will hopefully start some discussion on the topic.

The article is in two parts. The first part looks at the elements of US copyright law, and some misunderstandings about intellectual property rights...for instance, how is copyright established? What are your rights as a creator of art/design/photography etc. The article also looks into standards and copyright formalities as set forth by the WIPO (World Intellectual Property Organization) and the Berne Convention. Part two is brief and includes a quote from the WIPO.

March 15, 2007

Making Connections:: Today's Tools For the Artist/Gallery Toolbox and The Value of New Media

Originally posted at ArtLOOK.

I write today in thoughtful reflection of a recent conversation I had with an associate who had questioned the value of the web, or "new media" as he called it. I have given quite a bit of thought as to the ways artists and galleries have traditionally marketed and networked themselves, and how today's artists and galleries are handling the "notions" of technology.

The art world has been a bit reluctant to jump on the Internet highway. This surprises me because, in my opinion, these same people are generally forward thinkers. Let's take one example from history. The Impressionists were considered to be a rather radical group. Their art reflected not historical, religious or military depictions but instead focused on a moment in time, everyday life. This was just madness! At just about the same time the Impressionists were hanging around Cafe Guerbois and painting Plein Air, a new technology was making waves on the scene...it was called photography.

Still in all, today many in the arts question, just as my associate did, the value of the new media. Several years ago (8 years in fact), when I told one of my college professors and a curator at a local museum that I was opening my own business writing and designing for art on the Internet...she replied "Why how pedestrian of you." That was the feeling 8 years ago. But do some surfing now and it will be no surprise that organizations such as MOMA, The Met, The Whitney, The Guggenheim, Christie's, Sotheby's and countless other museums and galleries all over the world have not only websites...but "state of the art" web sites. Do we still consider this as being pedestrian? Would these prestigious institutions and organizations be investing thousands of dollars into a venture that wasn't of value?

It's not just brushes, canvas, and an easel that are the required tools of the trade for today's artist. Galleries are finding that to run a successful business they need more than a landline telephone, print marketing, and monthly art openings. Let's examine some of today's tools of the art trade and their value.

The value of the art website: I've already addressed the countless art websites that abound on the Internet. They are of all shapes and sizes, some offering free memberships, paid memberships, information, art education, online portfolios, artist galleries, contact info, hours etc. The thing that makes a website of value is not necessarily the website in and of itself...but the target audience and how that website addresses the needs of its target audience. Sometimes the true value of a website is not in how many sales the site brings in, but how it stands as a form of customer support. Never underestimate the importance of customer support. The value of a commerce site is clear. Its value is in selling product successfully online. The value of an information based site is in disbursing timely information to the target audience. If you are an artist, update your site with new works. If a gallery or museum, provide upcoming exhibitions and events. Provide stickiness which keeps viewers coming back to check what's new and to stay abreast with the industry. Give serious thought to your target audience and what it is they need from you. I just received in my email an announcement of the Official Launch of FineArtAmerica. The newsletter states: FineArtAmerica.com is a FREE interactive website created specifically for the fine art industry. The site is designed to bring together artists, art galleries, and fine-art collectors from the United States and Canada! For artists and art galleries, FineArtAmerica.com provides an unprecedented opportunity for you to promote your artwork, advertise your events, and gain exposure to a national audience of fine-art collectors. What is its value? To provide a service to its target audience. Will it be successful? We'll see. I can tell you this...having a website acts as more of a value than not having one and if you don't have one you're not considered to be a serious contender in an extremely competitive industry!

Having a website isn't all you need. You need to market that website. It's an anomaly, but a website is a marketing tool that you need to market in order for it to reach its true value. Just having a website sitting out there doesn't guarantee a return on investment. I know of an talented artist who actually got very angry because she felt the computer and the introduction of "new media" was intruding on her studio life. She felt that it was causing her a great disservice because she just wanted to paint and not to concern herself with a computer. Furthermore, she didn't see the value of marketing her art. Ok...but I haven't heard of any new galleries featuring her work in the last year. From what I know she has almost completely fallen off the radar both online and off. A website takes care and feeding. Yes, you now have to answer email as well as the landline phone...but welcome to the new world of art marketing. To not deal with these things is to do yourself and your business a great disservice.

Why a blog can help your business: If having a website wasn't enough, now blogging has become an important element in art promotion. The beauty of the blog is its feeds. Like the news organizations that distribute breaking news immediately across media, a blog uses a feed to get your information out there immediately. No more waiting weeks or months for the search engines to find your website, a blog can "push" information to various readers, search engines, and indexes within seconds of your publishing it. Why is this important? Because of its immediacy and because of its circulation. And because there is a whole other target audience that reads blogs and is looking for the type of art you produce or represent. Additionally having another presence on the web that is updated frequently benefits your existing site (providing you have linked them together) and brings in new traffic.

Art marketing guru Alyson B. Stanfield reports: "Compared to the average Internet user, blog readers are significantly more likely to live in wealthier households, be younger and connect to the Web via high speed connections. Blog readers also visit nearly twice as many web pages as the Internet average, and they are much more likely to shop online."

The importance of the computer: Do I really need to address this? I believe it actually warrants discussion. Along with a website, email is a major business tool for staying connected. If you have a website you REALLY need to have an email so that people who visit your site can contact you. You could argue that you could just provide a phone number as contact info but if it's 2am and someone wants to inquire about your work, do you really want them to have to wait until the following day to call you? Chances are the sale will have cooled by the next day and you might have missed a sale. Even if you don't have a website you REALLY need to have email...and USE IT! Checking your email every 5 days and not responding to email you receive is a disaster. You'll miss opportunities and believe me if people have to hunt you down to get a email response from you...they won't do it. There are many other artists and art businesses who have email and are happy to respond to it.

Blogging, websites and email are also beneficial to those professionals who travel. I've often bragged that I can do my business from anywhere on the planet...it's pretty cool. I also know that because of new media I can go to Europe for a week or to NYC for 3 days and my business back in Connecticut isn't going to come to a stand still. I can access and respond to email from any computer; or from the plane, train or taxi and I can keep my clients updated by posting to my blog. I was even able to update an important client's website and meet several "first of the month deadlines" while on holiday vacation in Sweden.

You need to know how to use your computer and while I understand that artists just want to be artists and paint and sculpt and do those things that artists are compelled to do, some basic knowledge of the computer is necessary. Know the difference between an email address and a website address (honest to god...I know people who don't understand the difference.) Know how to open a jpg or PDF attachment and know how to send one. If you don't understand how to perform these basic operations, then my associate who questions the value of new media is on target because if you don't know how to use the technology, its value is nothing to you.

Why you need a cell phone: Let's face it. We are all on call. We live in a fast paced society and it's sad but true that we are working very long hours. Communication, connecting and contacts are important in any business. While I have written previously about ways to manage the onslot of communications incoming, the importance of a cell phone is just a given. (Not only for safety...I believe every man and women should have one, just in case.) Cell phones and Blackberries can really keep you organized and on target especially if you travel or are out of the studio/office often. Need the directions to that gallery in Northwest Connecticut? Have them delivered to your cell.

Clearly I feel pretty strongly about the value of technology for today's artists, galleries and art organizations. I'm passionate about it and passionate about what I do for a living and I can say that I've been supporting myself and my family for some time now because others also recognize the value of new media. It can be hard to place a value on graphic design, web design and art marketing, but to not do these things is to leave a huge vacuum that will quickly be filled by your competition. Brands, art, and businesses (and artists...as you know, you are running a business) take on personalities just as people do. Make sure the personality of your business is a good solid one and take advantage of all the technologies and opportunities out there. It will pay you back ten fold.

March 12, 2007

A thank you note.

A Thank You Note.

A beautiful spirit inside and out
To the one who was grateful for 
yet knew never give up.

I always have seen the Budha in you.
Thank you for giving a part of your due,
Your most wonderful spirit of being and 
your love for all that is beauty and art. 

Through your eyes and grasping of my small hand,
We wisped down the corridors of art, playing and 
sound of your land.

Even if one did not comprehend the 
surroundings of the in times.
You have created a memory that keeps me afloat
in weary times.

First let us both be grateful to the boundless heart.
Of Nobuko and all that took part.

Dearest Junko. you always remind me
Life itself was a true art.

A spirited gift of a paper thin moment, 
I have to record this message in time.

Theresa 
2007

February 22, 2007

Art Guide Updated Website

I'm happy to inform you that The Art Guide has updated and tweaked the design of its website. Please stop by to experience quicker access to the sections you most want to see such as Exhibition Listings and Calendar of Events. We've also added some beautiful slide shows in the Gallery from the Artist Showcase and "Out and About" features from the print publication. Check Resources for an enhanced listing of art world support and supplies and contacts.

January 25, 2007

Art Guide Graphics for Your Website or Blog

We've created two new graphics for use on your website or blog. Please feel free to download either of these (or both) and use them to link to the Art Guide Website at www.theartguide.com . The Art Guide publishes a beautiful monthly publication, in addition to our website, with exhibition listings, a calendar of events, articles, artist profiles and resources for artists, galleries and collectors.

We'd love to hear from you. Thank you for supporting The Art Guide!

Artguide_banner

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January 21, 2007

Benefit Masquerade Ball a Success

Smallimg_1748 Glynnis Sorrentino's Gallery at 85 Main Street, Benefit Masquerade Ball was held last night at Gabrielle's Restaurant and was a huge success!! Gabrielle's was filled with generous art patrons who donned glittering authentic hand moulded, artist decorated Venetian masks. Beautiful original artwork from the gallery's artists was on display as part of a silent auction and raffle and fabulous music was provided by Cantico. Guests enjoyed a gourmet Venetian meal and dancing all evening. The Masquerade Ball event will help to establish an art scholarship for Valley Regional High School, to be given to a deserving art student at graduation 2007. THANK YOU to everyone who attended!!

Smallimg_1744 Smallimg_1745 Smallimg_1735 Smallimg_1746 Smallimg_1737 Smallimg_1749

Gallery at 85 Main Street's next big event is A Year at Hammonasset-a landscape series featuring the plein air landscapes of award winning artist Jan Blencowe.  Jan has painted outdoors at Hammonasset for over two years to create this unique series of landscapes that capture the beauty and diversity of Hammonasset in all the many moods, seasons and weather conditions that make up a year. Two of Jan Blencowe's plein air landscapes of Hammonasset are currently in the Paint America Top 100 Landscape Collection representing the state of Connecticut. This collection is currently touring the USA.  Save the date April 26th, 2007, check future issues of the ART GUIDE for more details.

January 12, 2007

Let's Go Abstract Tonight !

"Let's go abstract tonight !" ....sung to the tune of the jingle for the current  Outback Steak House commercial LOL  I love that little jingle, it's very effective, makes me want to go to Outback eventhough my husband thinks the menu is too limited. Anyway, let's talk a little about abstract painting today.  This is on my mind because in the midst of a very busy time, painting like mad getting ready for a show of my impressionist landscapes I find myself concurrently working on an exploratory series of small abstract paintings. That's no coincidence, either.  I find that working abstractly during a period of high creative output helps ward off burn out.  The freedom to work abstractly without the dictats of subject matter is very rejuvenating, putting me in touch with the pure elements of art: color, value, line, mass etc.  Working with these elements abstractly enhances the way I work with them in my representational art.  Artists who have never worked abstractly before are often bewildered as to where to begin.  That's not surprising since working in a non-objective fashion without any discernable subject matter is one of the most challenging and difficult ways to work.  If you'd like to explore making abstract art here are two foundational pillars of abstraction to consider.  Simplification and fragmentation, these two can get you to move from a realistic depiction to abstraction pretty quickly.  If you begin with a real subject, like an apple, a figure or whatever and you radically simplify some or all of it elements you will achieve something that is abstract, or more correctly abstracted from reality.  You can move in the opposite direction to achieve the same end also.  By continually and radically fragmenting something you increase its complexity, and eventually it will move into the arena of abstraction.  Both processes are interesting to pursue. You can simplify or fragment across all the elements, color, line, mass etc or selectively choose one or two to act on.  The possibilities are endless and fascinating to work through.  If we use the figure as an example we can see the principal of simplification at work in Modigliani and while his works are not fully abstracted they are moving away from 3 dimensional reality.

http://www.expo-modigliani.net/        http://www.ibiblio.org/wm/paint/auth/modigliani/         http://www.ibiblio.org/wm/paint/auth/modigliani/

Picasso is a perfect example of a "fragmentor" he is continually breaking up masses into smaller and smaller fragments until he finally arrives at the multifaceted fragmentation of cubism, showing fragments of the subject from multiple viewpoints at once.

             

Below are a few from my own exploratory series which seeks to both simplify and fragment and play those two opposing ideas off one another in the same painting.

     Relativity                           

  Get painting and have fun with these techniques!

Fossil

Mythology